When
the polka first took American and European ballrooms by storm in
the
early 1840's, it was a choreographed dance incorporating lots of
steps
and style from its Eastern European folk origins. These folk steps
were eventually edited out of the elegant mid-19th century ballroom
polka. "The Bohemian National Polka" is a delightful modern reconstruction
of what the original polka may have looked like in the 1830's before
it became a smash-hit "ballroom dance." The Bohemian National
Polka, choreographed for the ballroom by celebrated dance historian
Richard Powers of Stanford University, is based on a reconstruction
by Czech dance historian Frantisek Bonus and is enjoying a new wave
of popularity at Bay Area Victorian balls.
For Richard Powers' wonderful notes on the Bohemian
National Polka and its choreography, see http://socialdance.stanford.edu/syllabi/bnp.htm
Cathleen Myers is the Dance
Mistress of the San Francisco Dickens Fair and the Artistic Director
of PEERS (the Period Events & Entertainment
Re-Creation Society), which produces full-scale historical costume
balls and dance classes almost every First Saturday (for details of
PEERS' 2010-2011 Season, see her website at http://www.peers.org).
A dancer since childhood, Cathleen has researched and taught historical
dance in the Bay Area since 1987. In her copious spare time, she also
performs occasionally with the Alameda Vintage Dancers and with her
own group, the PEERS Flying CirCUS, a historical music, dance and theater
performing ensemble, most notorious for their recurring Peerless Music
Hall and Le Theatre des Vampires. For more information about the Dickens
Fair, particularly our all-day Fezziwig’s Victorian dance
party, please see http://www.dickensfair.com
Alex Lerman has studied, performed, and co-taught
vintage dance with Cathleen Myers since 2002. In 1992, before Alex
knew he liked to dance, he wandered into an Irish pub with the intent
of listening to music. He was unwittingly dragged into a dance lesson
despite protestations. He was soon hooked, and teaching Irish Ceili
dancing 18 months later. He's taught and performed various forms of
vintage dance ever since, in venues as diverse as pubs, studios, weddings,
formal balls, and the YMCA. Alex's fascination with improvisational
performing arts extends to improv acting, and he currently teaches
a popular series of improv acting classes in Berkeley. http://BerkeleyImprov.com